ELWYN B. ROBINSON DEPARTMENT OF SPECIAL COLLECTIONS
CHESTER FRITZ LIBRARY
UNIVERSITY OF NORTH DAKOTA
GRAND FORKS, NORTH DAKOTA 58202
COLLECTION: OGL #308
DATES: 1940-1975
SIZE: 2.5 linear feet
ACQUISITION:The Thomas McGrath Papers were deposited in the Orin G. Libby Collection Manuscript Collection by Thomas McGrath on August 22, 1975. The acquisition records are unavailable.
ACCESS: Available for inspection under the rules and regulations of the Department of Special Collections.
The following sketch was taken from:
Stern, Frederick. "A Biographical Sketch of Thomas McGrath." In
The Revolutionary Poet in the United States: The Poetry of Thomas
McGrath, edited by Frederick Stern. Columbia: University of Missouri Press,
1988.
Thomas McGrath was born in 1916, the oldest son of James and Catherine (Shea) McGrath. There were four younger brothers, Jim (killed in World War II), Joe, Martin, and the youngest, Jack. His sister Kathleen was born between Joe and Martin. His parents were farmers, the second generation of them, working the land in Ransom County, North Dakota, near the town of Sheldon, about forty miles west of the Minnesota border, between the Maple and Sheyenne Rivers.
McGrath went to grade and high school in Sheldon, and then started somewhat delayed and intermittent University studies at Moorhead State University. Eventually, he attended the University of North Dakota at Grand Forks, where he earned a B.A. in 1939. Awarded a Rhodes Scholarship, he found that he could not use it immediately, because of the outbreak of World War II. He had received offers from a number of universities to begin work on an advanced degree - as had other Rhodes Scholars that year - and accepted and offer from Louisiana State University at Baton Rouge. There he studied, most intensely with Cleanth Brooks, was involved in radical political activity, wrote, and met Alan Swallow, who published McGrath's first book of poems as part of the development of The Swallow Press.
In the 1940-1941 academic year McGrath taught at Colby College in Maine, but did not find teaching there entirely satisfactory and thus left at the end of the academic year to go to New York City. There he wrote, organized, did legal research for attorneys engaged in "political" cases, and worked at the Kearney Shipyards, until he entered the armed forces in 1942. Most of his time in the service was spent on Amchitka Island. He was discharged with the rank of sergeant in 1945. After a period of adjustment he was finally able to undertake the year of study provided by the Rhodes Scholarship and spent 1947-1948 at New College, Oxford, England.
Returning from the United States after some travel, McGrath engaged in various occupations and eventually found a faculty position at Los Angeles State University, where he taught from 1951 to 1954. His dismissal from this institution was directly connected with his appearance as an unfriendly witness before the House Committee on Un-American Activities, when that infamous body brought its hearings to Los Angeles in 1953.
From 1954 to 1960 McGrath worked variously as a secondary school teacher at a private institution, for a company that manufactured carved wooden animals, and at other jobs that might earn him his keep. He wrote film and television scripts from time to time, several of the former for director Mike Cimino. In 1960 he resumed his academic career, teaching at C.W. Post College (now part of Long Island University) in New York. At about this time he founded, with his wife Genia, the journal Crazy Horse.
In 1962 he returned to North Dakota, where he taught for five years at North Dakota State University at Fargo. In 1969 McGrath accepted a faculty position at Moorhead State University where he had first begun his studies as an undergraduate. At the end of the 1982-1983 academic year he retired from Moorhead State and moved to Minneapolis, where he now lives. [Note: Thomas McGrath died on 19 September 1990 in Minneapolis]
McGrath has held a variety of significant editorial positions and has been awarded a variety of distinguished prizes and fellowships for his work as a poet. Among the former, in addition to his founding editorship of Crazy Horse, he has been a contributing editor of Mainstream (later Masses and Mainstream) and has served on the editorial board of the California Quarterly. He has held an Amy Lowell Travelling Fellowship in Poetry (1965), has twice been awarded National Endowment for the Arts Fellowships (1974, 1982), was a Guggenheim Fellow in 1967, and was twice a Bush Fellow (1976, 1981). In May 1981 the University of North Dakota awarded him a Doctorate of Letters. In 1977 he received the Distinguished Achievement Award from the Society for Western Literature. In 1986, The Associated Writing Programs presented McGrath an award at a dinner in Chicago, at which tributes to him were presented by author "Studs" Terkel and poets Philip Levine and Michael Anania. In the same year, a "Ceili" was held by Minneapolis's "the Loft," at which many distinguished poets and writers celebrated McGrath's seventieth birthday.
McGrath has been married three times, to Marion, Alice, and Eugenia (Genia), all of whom appear in his poetry. He is the father of a son, Tomasito, to whom much poetry from McGrath's later work is addressed and dedicated.
The Thomas McGrath Collection was reprocessed in February 1994. In light of recent additions that have been made to this collection, material that was previously divided into five boxes has been consolidated into three. The inventory was revised to reflect this change.
This portion of the collection consists of correspondence from 1962 to 1973, several screenplays written by McGrath, various manuscript versions of Letters to an Imaginary Friend, and numerous poems by McGrath. McGrath's book, First Manifesto, published in 1940 by Alan Swallow is included as are poems from Selected Manuscripts: 1942-1962, and manuscript versions of Tomasito Songs. Works by other writers including David Cumberland, Robert Bly, Mel Weisburg, Henry Wolff, Arnold Rattenburg, E.P. Thompson, R.P. Kingston, Jack Beeching, Sid Gershgoren, Vahan Gregory, and Robert Hazel may also be found in this section of the collection.
Box 1
Folder
Box 2
Folder
| "-30 Fahrenheit" | "All those ambulatory Queers" |
| "October leaf-fall" | "Loon" |
| "Pheasant Season" | "After his girl cut out" |
| "Riddle" | "Epitaph of a man devoured by monsters" |
| "That's the Way it Goes" | "Used Up" |
| "Young Man Manhattan" | "The Exiles Epitaph" |
| "For Eugenia" | "At Fargo" |
| "After moondown" note: See "Sound of One Hand" | "Obituary" |
| "Terrors and Advantages" | "For Alvaro" |
| "The Sound of One Hand I (concl)" | "On Moving Into A New Home" |
| "The Stars" | "The Weather Report" |
| "For a book by Charles Humbolt" | "Thalassa! Thalosa!" |
| "Love Belongs to the North" | "The End of the Line" |
| "To His Muse" | "The World; the Lovers; Falling Stars" |
| "The man attacked by the bear" | "The Dreams of Wild Horses" |
| "Sound of One Hand" | "Blues for the Old Revolutionary Women" |
| Part One Wartime | |
| "The Odor of Blood" | "Homecoming" |
| "Remembering that Island" | "Sailing North on a Troop Ship" |
| "Night in Wartime" | "War in the Aleutians" |
| "Here is a Skeleton" | "Encounter" |
| "The Spectators" | "Crash Report" |
| "How it All Looked After the War" | "The Repeated Journey" |
| Part Two, Memories of the Depression | |
| "Cal the Last of the Real Wobs" | "Fords Leaving" |
| "Gate to the Dream" | "The Depression" |
| "Strike Days" | Going to College" |
| ""Depression in Baton Rouge" | "In Baton Rouge" |
| "Studying the Metaphysicals in Baton Rouge" | "Stealing from the President of the University of North Dakota" |
| Part Three Something Permanently Good | |
| "Love in a Bug" | "Hot, Great-Hearted Women" |
| "Such a Simple Love" | "Chaos" |
| "Legend" | "Fanfare for a Procession of Heroes" |
| "Pueblo! Pueblo!" | "Ode for the American Dead in Korea" |
| " The Tourists" | "Like the Watchman in Agamemnon |
| "One Who Has Looked at the Dark" | "In Los Angeles" |
| "Epitaph" | |
| "Lakes" | "A swan of wool and buffalo hides" |
| "Near the Rum River" | "A Journey" |
| "Poem" | "Someone has lost" |
| "Counting Song" | "Big Snow I" |
| "Tongue Twister" | "Big Snow II" |
| "Manifesto" | "Tomasito's Poem For His Father" |
| "Waking" | "December 24, 1974" |
| "Lakes" | "Tomasito's Conundrum" |
| "Counting Song" | "December 24, 1974" |
| "Manifesto" | "Tomasito's Poem for His Father" |
| "Tomasito's Poem for His Mother" | "The Runaway Hamburger (A Delicious Story)" |
| "Someone Has Lost" | "The Crocuses My" |
| "Tomasito's Conundrum" | "Big Snow I" |
| "Big Snow II" | "Tomasito's Conundrums" |
| "Waking" | "Someone Has Lost" |
| "Lakes" | "Near the Rum River" |
| "Poem" | "A Journey" |
| "A swan of wool and buffalo hides" |
| "Yes" | "Be Careful" |
| "All month long I have heard the owls" | "Among the Things We Are Left to Do" |
| "The stars! The stars!" | "You, Yannis Ritsos" |
| "Affirmation" | "Peace! Land! Peyote!" |
| "Visitors" | "The true darkness of the forest" |
| "Greek Wedding" | "Alas!" |
| "Eclipse" | "ON THE OCCASION of the launching of the Red" |
| "in the smallest tidepool" | "Advice" |
| "Morning and evening" | "A Theory" |
| "In fog . . ." | "Ghost fire" |
| "My dandelions" | "Remembering Issa" |
| "Comfort" | "Fallen chestnut blossoms" |
| "Somewhere Ahead" | "Surprise" |
| "A barbwire fence" | "The Scalping Knife" |
| "Summer" | "The Cottonwood" |
| "A million puffs of smoke!" | "Arrivals" |
| "What We Don't Know Kills Us" | "THE UNFAIRNESS OF IT ALL" |
| "Moon" | "The Need for Dictionaries III" |
| "Gloomy woods, and this highwayman" | "The scarecrow shivering in November corn" |
| "The stars" | "Darkness of winter solstice" |
| "The long wound of the summer--" | "Pheasant Season" |
| "Sleepy Birdsong. . ." | "For Alvaro" |
| "You out there, so secret" | "I am travelling, travelling" |
| "The grand days," | "Umber sundown" |
| "Across the winter-white coulee hills" | "Anonymity has a name" |
| "One farmhouse light--" | "To speak is the vice" |
| "The queen of Accident County" | "All is not well?" |
| "Empty canvas." | "The stick of the blind man" |
| "Ear to hear;" | "Empty playground," |
| "Down the small and crooked road" | "Did you bring me a present? the little boy asks." |
| "Black" | "The rabbit dreams of hunting." |
| "Why I never married" | "Loon" |
| "Where Janie Went In" | "Epitaph of a Man Devoured by Monsters" |
| "Full moon and silence." | "Powers of Darkness" |
| "Route Song and Epitaph" | "Summer Lightening" |
| "I see the moon." | Your knife's a most particular guest," |
| "The man attacked" | "The Exiles Epitaph" |
| "That's the Way it Goes" | "A Season" |
| "Presumptions" | "Poem" |
| "At Fargo" | "The Need for Dictionaries II" |
| "Horses of the moon--" | "The two-faced sea--" |
| "Sultry afternoon. The old dog" | "Callings" |
| "In the list of one thousand false addresses" | "In Other Worlds" |
| "After moondown" | "A Field of Sunflowers" |
| "The slow sulfur" | "The Need for Dictionaries" |
| "Legislators of Darkness" | "Loud November rain" |
| "Faults of Darkness" | "A Distant Republic Demands" |
| "A History of Language" | "Hushed bright pond stillness." |
| "Cross Country Flight" | "Solidarity" |
| "Proportions" | "Resurrections" |
| "Terrors and Advantages" | "Some Kinds of Knowledge" |
| "Half-life" | "What We Think We Know" |
| "Lightcrackle." | "Among the trophies of Death" |
| "Small things, soft," | "Nothing is lost" |
| "From Old Days" | "Weights and Measures" |
| "In a Landscape West of Eden" | "Hunter in the cold field." |
| "The Classics" | "How it Feels to be Saved" |
| "Letter to an Imaginary Friend (Part Three)" Typed with handwritten corrections | "Totems MS VI" handwritten |
| "Totems VI" typed | "Afternoon of a McGrath" handwritten |
| "Afternoon of a McGrath" typed | "Late in the early dark" |
| "Totems V" handwritten | "Totems V" typed with handwritten corrections |
| "Totems V" typed with handwritten corrections | "Hard Bought" |
| "In Search" | "Remembering Loves and Deaths" |
| "Body of woman, shadows of black and white" | "A Tomasito Poem" |
| "Revisionist Poem --Pope" | "Why We Love Wakan Tanka" |
| "Revisionist Poem : Machado" | "Next Door to the Poorhouse" |
| "Tomasito's Conundrum" | "A Tomasito Poem" |
| "John Grass Says" | "Night Work" |
| "For Tomasito" | "You, Yannis Ritsos" |
| "The true darkness of the forest" | "Somewhere Ahead" |
| "Footnote" | "Fallen chestnut blossoms" |
| "Comfort" | "Remembering Issa" |
| "My dandelions" | "Ghost Fire" |
| "End of a Season" | "In the Stoa of Attalus" |
| "Alas!" | "In fog. . ." |
| "A theory" | "A Sound of One Hand" |
| "Solon's Song" | "Conundrum" |
| "Advice" | "In the smallest tidepool" |
| "Greek Wedding" | "Children's Games" |
| "The Children" handwritten | "Totems (I)" |
| "The Children" typed with handwritten corrections | "Totems (IV)" typed with handwritten corrections |
| "Totems (IV)" handwritten | "Next Door to the Poorhouse" |
| "Revisionist Poem" | "Toward Paradise" |
| "The Preterition of Aquarius" | "Preterition Again" |
| "A Sociology of Instincts" | "Totems (I)" typed with handwritten correction |
| "Totems (I)" typed | "Totems (II)" typed |
| "Totems (III)" typed | "Totems" typed |
| "Mottoes for a Sampler on Historical Subjects" | "The Last War Poem of the War" |
| "Blues for Cisco Houston" | "Something is Dying Here" |
| "Driving Toward Boston I Run Across One of Robert Bly's Old Poems" typed | "Long Distance From a War" |
| "Praises" | "The Return" |
| "In the Pentagon Parking Lot October '67" | "What Wakes Us" |
| "Travels of an American in Search of God" | "A Homecoming for Odysseus" |
| "Driving Toward Boston I Run Across One of Bob Bly's Old Poems" handwritten | "People coming with their arms full of books" |
| "Crow Cry," | "Children's Games" |
| "The Lineaments of Unsatisfied Desire" | "Sound of 1 Hand" |
| "Alas!" | "Children's Games" |
| "Driving Toward Boston I Run Across One of Robert Bly's Old Poems" Typed | "The Little Judgement" |
| "Pictures From the Lost Continent of Currier & Ives" | "Salute" |
| "Eclipse" | "For Tomasito" |
| "For Tomasito" | "In the Sleep of Reason" |
| "Eclipse" handwritten | "Summer" |
| "The Cottonwood" | "A million puffs of smoke!" |
| "Surprise" | "For Tomasito" |
| "The Scalping Knife" | "The Legends" |
| "A barbwire fence" | "The Sea Inside Us" |
| "The Scalping Knife" | "A barbwire fence interrupting" |
| "Where Janie Went In" | "Where Janie Went In" |
| "Where Janie Went In" | "Epitaph of a Man Devoured by Monsters" |
| "Epitaph of a Man Devoured by Monsters" | "Where Janie Went In" |
| "Terrors and Advantages" | "Summer lightening shivers in the high pine" |
| "The Sound of One Hand" | "What is named" "Horses of the moon--" |
| "The Sound of One Hand I" | "The Sound of One Hand I" |
| "Horses of the Moon--" | "Horses of the Moon--" |
| "Arrivals" | "The thinning fog--" |
| "Arrivals" | "Summer night O Magnificant" |
| "Loon" | "Arrivals" |
| "The two--faced sea--" | "The Sound of One Hand XIII" |
| "The two--faced sea--" | "Darkness of winter solstice;" |
| "Everything vertical" | "Everything vertical" |
| "Sultry afternoon. The old dog" | "The high hunting hawk--" four copies |
| "The list of one thousand false addresses" four copies | "Everything Verticle" |
| "The Sound of One Hand (concl." | "Summer night O magnificent" three copies |
| "West wind sleet cold November breath" | "The stick of the blind man" |
| "The Sound of One Hand" | "The long wind of winter" |
| "Darkness of winter solstice" | "Summer night O magnificant" |
| "Ear to hear;" | "The Sound of One Hand II" |
| "Down the small and crooked road" | "Did you bring me a present? the little boy asks" |
| "Black" | "The rabbit dreams of hunting" |
| "To speak is the vice" | "Yes" |
| "Among the trophies of Death:" | "Empty canvas" |
| "All is not well?" | "Empty canvas." |
| "The Sound of One Hand" | "Anonymity has a name;" |
| "After moondown" | "Down the small and crooked road" |
| "The Sound of One Hand IV" | "I am travelling, travelling;" |
| "The Sound of One Hand VIII" | "Umber sundown" |
| "For Alvaro" | "Sleepy birdsong. . . " |
| "Pheasant Season" | "The long wound of the summer--" |
| "Across the winter-white coulee hills" | "Some Kinds of Knowledge" |
| "Hunter in the field," | "The Sound of One Hand" |
| "Full moon and silence" | "Powers of Darkness" |
| "Route Song and Epitaph" | "Summer Lightening" |
| "I see the moon" | "Your Knife's . . . " |
| "Man Attacked by Bear" | "The Exiles Epitaph" |
| "That's the Way It Goes" | "A Season" "Presumptions" |
| "Peace! Land! Peyote!" | "Poem" |
| "At Fargo" | "After Moondown" |
| "In November empty fields:" | "A Field of Sunflowers" |
| "The Sound of One Hand" | "The Sound of One Hand" |
| "Darkness of winter solstice;" | "The long wound of the summer--" |
| "Pheasant Season" | "Sleepy birdsong. . ." |
| "For Alvaro" | "You out there, so secret." |
| "I am travelling, travelling. . ." | "The grand days," |
| "Umber Sundown" | "Across the winter-white coulee hills" |
| "What we don't know kills us" | "Little old deer in the dry creek" |
| "The Sound of One Hand" | "Small things, soft," |
| "Arrivals" | "After moondown" |
| "Anonymity has a name;" | "November empty fields:" |
| "One farmhouse light--" | "To speak is the vice" |
| "The queen of Accident County" | "All is not well?" |
| "Empty canvas." | "Among the trophies of Death:" |
| "The stick of the blind man" | "Ear to hear:" |
| "Empty playground," | "Down the small and crooked road" |
| "Did you bring me a present? the little boy asks?" | "Black" |
| "The rabbit dreams of hunting." | "Surprise!" |
| "Summer" | "In the Sleep of Reason" |
| "The scarecrow shivering in November corn." | "Gloomy wood, and this highwayman" |
| "Moon" | "Full Moon" |
| "The Stars" | "Hunter tin the cold field." |
| "Across a thousand miles of snow" | "The seas inside us" |
| "The Little Judgement" | "In the Sleep of Reason, Monsters are Born" |
| "Affirmation" | "Song" |
| "The Deaths of the Poets" | "Sound of One Hand" |
| "Meanwhile like a tired magician, from his" | "Their darkness is not our darkness" |
| "Dawn Song" | "Some Kinds of Knowledge" |
| "The Classics" | "The long wind of winter" three copies |
| "Hushed bright pond stillness" three copies | "Among the Things We Are Left to Do" three copies |
| "Loud November Rain." three copies | "From Old Days" |
| "What We Think We Know" | "The Sound of One Hand XII" |
| "A History of Language" | "The Sound of One Hand III" |
| "The Sound of One Hand" | "Half-life" |
| "Some Kinds of Knowledge" | "Terrors and Advantages" |
| "Resurrections" | "A Distant Republic Demands" |
| "After His Girl Cut Out" | "Proportions" |
| "Why I Never Married the Queen of --" | "Legislations of Darkness" |
| "The Sound of One hand" | "A Sound of One Hand X" |
| "Faults of Darkness" | "Loon" |
| "Cross Country Flight" | "Weights and Measures" three copies |
| "The Need for Dictionaries" | "Classicism" |
| "Classicism" | "Why I Never Married the Queen of----" |
| "Loon" | "Where Janie Went In" |
| "Epitaph of a Man Devoured by Monsters" | "Terrors and Advantages" |
| "Summer lightening shivers in the high pine" | "The Need for Dictionaries II" |
| "Horses of Moon" | "The two--faced sea--" |
| "Sultry afternoon. The old dog" | "Summer night O magnificant" |
| "Callings" | "In the list of one thousand false addresses" |
| "In Other Worlds" | "The slow sulphur" |
| "Full moon and silence." | "The stars" |
| "Hunter in the cold field." | "How it Feels to be Saved" |
| "The scarecrow shivering in November corn." | "Gloomy woods, and this highway" |
| "The Need for Dictionaries III" | "Moon" |
| "The Unfairness of It All" | "What We Don't Know Kills Us" |
| "Small things, soft," | "Arrivals" |
| "Somewhere Ahead" | "Fallen chestnut blossoms" |
| "Comfort" | "Remembering Issa" |
| "My dandelions" | "Ghost fire" |
| "In fog. . ." | "A Theory" |
| "Morning and evening" | "Advice" |
| "In the smallest tidepool" | "Peace! Land! Peyote" |
| "Visitors" | "The true darkness of the forest" |
| "Greek Wedding" | "Alas!" |
| "Love Song" | "The Dream Range" |
| "Poem for the Front Door" | "Totems" |
| "Outside My Window" | "The Preterition of Aquarious" |
| "A Sociology of Instincts" | "A Tomasito Poem" |
| "Why We Love Wakan Tankan" | "Revisionist Poem: Machado" |
| "Next Door to the Poorhouse" | "Tomasito's Conundrum" |
| "Lament for Pablo Neruda" | "Peace! Land! Peyote!" |
| "Yes" | "Westwind sleet cold November breath:" 2 copies |
| "After moondown" 2 copies | "The Sound of One Hand" 2 copies |
| "Summer lightening shivers the high pine." 2 copies | "Terrors and Advantages" 2 copies |
| "Some Kinds of Knowledge" 2 copies | "Loon" 2 copies |
| "Why I Never the Married the Queen of ________" 2 copies | "Full Moon and silence" |
| "Summer Night O Magnificent" 2 copies | "October leaf-fall" 2 copies |
| "Hunter in the field," 2 copies | "In November empty fields:" |
| "Classecism" 2 copies | "The Sound of One Hand" 2 copies |
| "Be Careful" |
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